![]() ![]() ![]() Turn the wet/dry control of the delay up at the same time and it'll sound much more natural than a microloop.If there's vocals or heavy instrumentation getting in the way and making it seem overloaded with the delay, copy the track to another deck (or use a loop from another, more interesting track) and loop about 4-8 beats where there's less 'busyness', this has the advantage that you can stop the delayed track at the end of the roll, and let the delay tail off nicely. Rich: instead of using microloops for drumrolls, try using the delay instead, set to a small amount (experiment to get a timing that works well for you, or you can sweep the timing knob to create the feeling the roll is getting faster). Suuuuure it is).I'll drop this in sometimes in a very quick, one- or two-beat section where there's a lot in the audio spectrum but the percussion has dropped out e.g., a big fat electro synth sound that you can add drama to by sweeping up or down quickly and slamming in the kick again.One note on the long buildup sweeps: removing the audio information as you sweep also lowers your volume, so you need to leave yourself some headroom to turn up the gain and raise the levels as you implement the sweep, or it'll sound too quiet. ![]()
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